Secret Letters: On Style π
I used to think of βstyleβ in writing as a joke. Now I see it as inevitable.
Welcome toΒ Secret Letters, a paid subscriber perk ofΒ Letters from the Homestead. These monthly letters are exactly what you think: secret dispatches that feel a little too vulnerable to put in a free newsletter.
Thank you, as always, for reading and supporting my work.
I used to think βstyleβ in writing was kind of a joke. I was, like, wrong.
When I first started teaching writing to college students, I would tell them, Donβt even think about βstyleβ or βvoice.β Your only priority is clarity. Style begins and ends with clarity.
This is importantβ you lose your reader if you arenβt generous enough with your clarity. And if your intention is to confuse your reader, then you probably want clarity to break through eventually. Confusion can be fun, but a reader ultimately wants to be in on the secret, not an outsider.
Once you get a handle on clarity as a technical skill, thereβs room for all the different ways to be clear. There is no single way to practice clarity. You can be clear in your writing and still maintain your sense of subtext, magic, humor, enthusiasm, etc. This is where style emerges, I think. You get over the hill of wrangling your clarity (i.e., Do people even understand what youβre saying?), and suddenly thereβs space for your interests to emerge in all their particularities.
Iβm dividing this Secret Letter into two sections. The first is my big picture thoughts about what actually equals style. (Listen, there is no right answer for thisβ these are just my ideas.) The second section is more about the circumstances in my life that made me start noticing style, things like living alone after divorce, decorating my own space, spending more time in silence, and discerning what I actually like.